Wednesday May 6th, 2026
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Egypt’s Gozoour Bridges Fashion & Sound Through a Truck-Bound Party

Mazen Zaki and Maher El Mallakh collapse worlds in 'Zahr El Lamoon'.

Raneem Maaly

Egypt’s Gozoour Bridges Fashion & Sound Through a Truck-Bound Party

Gozoour has never operated as a label that exists purely on the rack. Since its inception, the brand, founded by designer and creative director Mazen Zaki, has positioned itself closer to a cultural practice than a seasonal output, one that documents and reinterprets the intersections of clothing, place, and identity across Egypt. Now, that framework expands into sound.

“Ever since we started Gozoour, we’ve always wanted to document three things: culture, clothes, and music,” Zaki says. “We were always looking for the right people with a shared vision, because we want this to be a long-term project, not a one-time thing.”
That alignment surfaced with music producer Maher El Mallakh. After teasing an early version of the track online, Mallakh caught Zaki’s attention. “I saw he teased the concept on Instagram, so I slid into his DMs,” Zaki recalls. “The music was really nice, and when we spoke, I realized we were thinking along the same lines.” The track itself, called 'Zahr El Lamoon' draws from Egypt’s Arish, sampling local sounds and reworking them into something contemporary - an approach that mirrors Gozoour’s own design language.

The result is a music video directed by Zaki himself. Structurally, the video moves between two parallel worlds: a lone truck driver crossing an open highway, and a party unfolding among a group of young people dressed in Gozoour. The visual tension sits in that oscillation—between solitude and collectivity, stillness and movement, routine and release.“I was trying to build something that looks familiar and sounds familiar, but feels different in many ways,” Zaki explains. “You’re seeing a party, hearing music that’s close to us, and also these long road trips of truck drivers—it’s a visual we know.” The narrative resolves when the truck halts, the driver steps down, and the container doors open to reveal the party contained within - collapsing both worlds into one shared space.

Despite its cultural references, the video resists overstatement. “I didn’t want to impose culture too much in this one,” he says. “But everything coming next will be very intentional.”

The video also introduces Gozoour Radio, a new arm under the brand’s umbrella. Positioned as both a platform and a signal, it formalizes the label’s move into music and collaborative production. “This was a way to show people that we’re into music, and that this is happening,” Zaki says. “We want to make our own music and collaborations - Egyptian music that’s modernised, inspired by the governorates we look to.”

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