Egyptian Actress Menna Shalaby’s Red Carpet Looks Throughout the Years
She’s walked carpets in structured metallics, soft mint drapes, and pleated sea-green ruffles — never trying too hard.

Menna Shalaby arrived on the scene in the early 2000s with a kind of rawness that felt new — no polish, no pretense. Directors like Radwan El-Kashef and Mohamed Khan saw it instantly, casting her as women on the edge of change: defiant daughters, conflicted lovers, women whose strength came in quiet, blistering doses. El Saher (2001), Baheb El-Cima (2004), and Banat West El Balad (2005) showed her range early. Hena Maysara (2007), After the Battle (2012), and Nesr El-Saeed (2018) confirmed her staying power. She’s built a career on choosing roles that feel lived-in, never posed. And her style, much like her performances, carries that same ease — nothing too theatrical, but always unforgettable.
There’s something refreshingly unbothered about the way she shows up. One minute it’s a crisp three-piece suit at Cannes, another an ombré gown that shifts from silver to coral like a desert sunset. She’s walked carpets in structured metallics, soft mint drapes, and pleated sea-green ruffles — never trying too hard.
Premiere of Heya Fawda, 4th Dubai International Film Festival (2007)

A sculptural black gown with a dramatic skin-tone illusion bodice, the kind of look that played with perception and precision. The off-shoulder cut softened the geometry, but it was the corseted silhouette that anchored this early red carpet triumph.
Opening of the Middle East International Film Festival, Abu Dhabi (2009)

Photocall for Baad el Mawkeaa, Cannes Film Festival (2012)

Premiere of Baad el Mawkeaa with Yousry Nasrallah, Cannes (2012)

Opening Ceremony, El Gouna Film Festival (2020)

Closing of Gouna Film Festival’s 5th Edition (2021)

Al Alamein Festival (2023)

Closing of the 7th Gouna Film Festival (2024)

- Previous Article Where Grief Is Staged in Marble: Alexandria’s Greek Cemetery
- Next Article Villainy is in its Blu Fiefer Era